>> 11 0 obj I don't remember how tight the beater head was tuned or if there was anything in the drum. I would describe it as sounding flimsy, lacking the solid punch of the 200 hz range. /F2 15 0 R 666 750 750 750 666 750 750 750 I would say it's designed very specifically to point towards the source of the sound and thereby reject sounds from other drums nearby. >> When you buy products through links across our site, we may earn an affiliate commission. 99 0 R 105 0 R 111 0 R 117 0 R ] /XObject <> It's your drum. I think getting a good kick sound has more to do with tuning than anything else, except maybe playing. The Shure SM57 is the industry standard snare drum mic, and a high performing choice for toms, whilst the Beta 52A kick drum mic is a renowned, premium selection for kick drums. /Type /Font /Contents 31 0 R It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels. Sorry, but I dislike the 52, on anything. 750 556 556 556 750 750 556 750 Typically the resonant head is called the front. ymmv. When dealing with drum miking for recording or live sound, high sound pressure handling-SPL (over 160dB), is needed. 750 750 750 750 750 750 750 750 The Beta 52A is a knobby dynamic with a large diaphragm. 3 0 R 35 0 R 63 0 R 69 0 R 75 0 R 81 0 R 87 0 R 93 0 R /FontDescriptor 9 0 R /FontName /AATENA+Arial /Encoding /WinAnsiEncoding 750 736 750 750 750 750 736 750 >> endobj /FirstChar 32 (YMMV.....), I put it just inside the port hole so basically only the grill is past the head. A built–in dynamic locking stand adapter with an integral XLR connector simplifies installa- tion, particularly if the microphone is to be placed inside a kick drum. 556 556 556 750 556 750 750 750 750 750 750 750 750 750 750 750 x��{{\����wfv���vX�YeQ\ePP���#* �G�D�0�0I5�IS��y6uA��I���e�&��S�����o�~��̞{Ͻ��ǜ{���� F���+��i/ ��:_�F~������}�}Ɋׯox@�5�W.Y~�������6�,�����yU���c��m�a+�!Z��!�mŚ�>{�~ӯ`��7��[��.,?����v�~���&L�+�W�*S~�i,'����\ˁ �xV޾��=�x�Lg����/D�����x���W��P�A��AK�0Ft��7�N�i`Q���6g�S�L�`x$��I�`����P�jY�A���!a?$#��C2 7@�s�/X+g1�G �. 750 750 750 750 750 750 750 750 /Name /F0 The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. And the batter head sometimes referred to as the back head. The sample doesn't sound too bad through my earbuds. endobj /Name /F1 750 750 750 750 750 750 750 750 You're allowed to put it anywhere. /ItalicAngle 0 << The rest is tuning. Just inside the mic hole, pointed at beater. at 100 bucks for the mic, it's a steal and a half. The most common BETA 52A applications and placement tech-niques are listed in the following table. /Type /Font drum tone mixdown 1.mp3 (275.3 KB, 10364 views). Beta 52 is good in front of sound hole about 1-2" out just beyond where you can feel the puff of air, over on the side of the front head for resonance, or on the beater side aiming at the beater for click. /Length1 17892 I like to put mine right at the hole just breaking the plane of the back head to start. The Wow Factor: if you're going to record some bass guitar, or bass drums, this is the mic to purchase. This brings more low mids in and warms it up. I've been working getting sounds to come in how I want them rather than processing them after. Last time I recorded a kick I got a very good low end from putting the mic just outside the mic hole, pointed straight in. The KELLY SHU™ Microphone Shock Mount can be used with a Shure® Beta 52®A and/or Beta 56®A Microphone. If people aren’t dancing, check the kick’s dynamics in the mix. On my Signia kick, the way I have it tuned and muffled - it sounds good about halfway in the hole pointed straight in. /BaseFont /AATENA+Arial The only plugin is a gate on the snare. /F1 7 0 R /Widths [ A dynamic cardioid mic is designed specifically for … Check out the Bob Gatzen tuning videos on the Evans site and various YouTube copies. Granted my experience with the 52 is mostly live. 750 750 750 750 750 750 750 750 /FontFile2 11 0 R 750 750 750 750 750 750 750 750 I am 100% convinced that the best mic location is room and tuning (as well as genre) dependent. These are some of the best drum mics around, and represent the industry standard for recording drums in live applications as well as in the studio. >> 750 750 750 750 750 750 750 750 This seems to give it a nice scooped sound with some low end 50-60hz and nice tap of the beater. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. stream away from beater head, slightly off-center from beater. /Resources << The 52a is hypercardioid. That means that most of what it picks up is what it's pointing at. << Lately I've been unhappy with my bass drum tracks and am here to ask you all to share your insight. 750 750 750 750 750 750 750 750 The most common BETA 52A applications and placement tech-niques are listed in the following table. EVER. Features. 750 750 750 750 750 750 750 750 /LastChar 255 I like it just inside the soundhole pointed off axis towards the beater. /Type /Page Kick drum mic shootout. /Kids [ ApplicationSuggested Microphone Placement Tone Quality Kick Drum5 to 7.5 cm (2 to 3 in.) The mic was an RE20. 3 0 obj /Parent 1 0 R Here's a mixdown for you all. For a warm more 70's vinyl sounding kick I put it deep inside 4"-6" from the beater head again off-axis. probably the sound you want involves a condenser outside the kik. Do you have any samples of it with the rest of the music? The mic is indeed EQed in a way that works for a lot of kick drums, but the other point of its design is that you get a track that is just kick drum so that you don't have to mess up the rest of your kit with whatever EQ, compression and reverb it takes to get your bass drum sounding good. Putting it in or very near the bass drum can result in the bass drum shell serving as a gobo to block the other drums from getting into this track. the kick's not tuned right yet either, it's "flat" and has no tone. /MediaBox [0 0 595 841 ] /Flags 4 The BETA 52A features a modified supercardioid pattern through- out its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. It has hardly any backbone. endobj I tried the following setup after lots of messing with a single mic setup and it made the woofers almost jump out of my monitors, lots of tone, lots of slap. 750 750 750 750 750 750 750 750 666 666 750 750 750 750 750 277 I'm still learning so everytime I do a serious recording I have a pro come by and help me out getting the heads set up. You really can't tell what it's going to sound like till you've added the other ingredients. 7 0 obj The Shure Beta 57a is another great mic for recording instruments and is a bit more versatile.. SPL and Impedance Sensitivity: SPL stands for sound pressure level and refers to how loud your speaker can get. /Subtype /TrueType 750 750 750 750 722 750 750 610 Application Suggested Microphone Placement Tone Quality Kick Drum 5 to 7.5 cm (2 to 3 in.) away from beater head, slightly off-center from beater. >> The Shure Beta 52A has a peak SPL of 174 dB at 1,000 Hz. Hey there! Featuring a modified supercardioid pattern, the Beta 52A exhibits remarkable gain before feedback and excellent off-axis rejection. I occasionally break out the Shure Beta 52A to get the job done right. /Ascent -431 endobj The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. >> 750 750 750 750 750 750 750 750 750 750 222 333 333 350 556 1000 /StemV 80 << Keep in mind that micro-phone technique is largely a matter of personal taste– there is no one “correct” microphone position. 750 750 750 750 750 750 750 750 Use a non hole resonate head on the front of the drum .solo the mic in your headphones and listen for a sweet spot.i seem to find it about 2 inch's from the head off center from the middle. Rather than EQ it after the fact, I want a great sound going in. 750 750 750 750 750 750 750 750 Manufacturer Support: Best support=not needing it. /F0 5 0 R None of the spots that worked for me in my smaller, dead room work in my much larger and livelier space. 5 0 obj /CapHeight 434 I would only entrust the kick to the best mics available. << First with each mic on it's own, then with with the overheads, then with the overheads and a front of kick mic. /Type /FontDescriptor /Descent 307 A hardened, steel mesh grille and die-cast metal construction withstands years of abuse, making it ideal for touring sound reinforcement. The front of the kit facing the audience. This must be from a drummers perspective. Maybe I'm weird but I almost never like the Beta 52 inside kick. I can angle it toward the beater for a little more click, or move it in further for a REALLY clicky sound. I used three mics- a condenser for the room, level pushed down, kick inside the mic hole maybe 2 inches, pointed to the right of the beater, tilted right off-axis towards the shell a little, and a 57 on the snare which has an a small O ring on it.

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