Article excerpt. This bridge begins on the third scale degree of the tonic chord. This standard is the basis for another standard, Bird’s composition Scrapple from the Apple. Many players treat these 8-bars rather modally and/or use chromatic planing. “We call the original chords the ‘Sears & Roebuck’ changes.”. Theory Copyright 2005-2020 - JazzStandards.com A Savoy CD set contains four different live versions from early 1949--a golden opportunity to study Bird’s creativity. It features a young Miles Davis on trumpet, an equally young Max Roach on drums, Duke Jordan on piano, and Tommy Potter on bass. Once submitted, all comments become property of JazzStandards.com. It was delicious and tasted much like a sausage, though the cereals made it less rich. It’s all under the tab Shop now. the music of miles davis: a deep insight into his musical style, concepts and language throughout the studio and live recording sessions from 1945 to 1991; exploration of his unique trumpet style by playing his solos along with the original recordings, paying careful attention to inflection, tone and articulation. Thank you, I prefer to think of moving up a fourth for the next three changes with each chord lasting two measures each. " Scrapple from the Apple " is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. Line Up. When the Duke Ellington Orchestra performed “Honeysuckle Rose” in 1955, the band inserted “Scrapple from the Apple” behind Jimmy Hamilton’s clarinet solo. Another common thought process is to replace the first bar of each change with it’s corresponding ii. Transcription PDF. Complete Savoy Live Performances: Sept. 29, 1947-Oct. 25, 1950, “Bird updated the changes from ‘Honeysuckle Rose.’ We call the original chords the ‘Sears & Roebuck’ changes.”. An adaptation is a musical work which uses most of the music or lyrics of another musical work. "Donna Lee" is a bebop jazz standard attributed to Charlie Parker, although Miles Davis has also claimed authorship. | Jazz musicians, fans, and students of all ages use this website as an educational resource. Lee Konitz: "Scrapple from the Apple" on Live at the Half Note . The original recording is available on several Parker compilations including the Complete Dial Sessions. The bridge is improvised. I’ve moved my store on DavidCooperMuisc to this site. | “Scrapple From The Apple” is a bebop tune written by the great pioneer of bebop himself, Charlie Parker. | The Farmer Reed scrapple had nearly 19 percent of fat, 11 percent of protein, and 7 percent of starch, with 59 percent of water. Label. Transcription PDF. Most of the ideas in this solo are based on Parker’s improvisation and use the concepts you studies earlier in this lesson. Download the pdf of Scrapple From The Apple with full harmonic analysis, chord-scales & arrows and brackets. By the way, only the A sections have a written melody. Wheat flour and cornmeal were both present, and the wheat gives it a better flavor than when all cornmeal is used. Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change. “Scrapple from the Apple” is a melody in F major in which the A section is based on the chord progression of Fats Waller’s “Honeysuckle Rose,” while the B section is constructed on the progression of George Gershwin’s “I Got Rhythm.”. 00:25-01:22. However, at the time, he was also under contract to Savoy with whom he’d signed in 1944, so the recording of “Scrapple from the Apple,” made on November 4, 1947, for Dial Records, appears on both labels. Scrapple in the Apple . The Scrapple bridge is written, A7 – D7 – G7 – C7. Along with Gray is his cohort from Count Basie’s band, trumpeter Clark Terry, and the Parker-inspired alto saxophonist Sonny Criss. Gerry Mulligan “Scrapple from the Apple”¶ Discographic Information¶ Instrument. Although the recording balance leans a bit toward the drums (not a bad thing necessarily considering Shelly Manne is the drummer), the music is obviously inspired. Charlie Parker based “Scrapple From The Apple” on the chords to “Honeysuckle Rose,” with the bridge from “I Got Rhythm.” These were both songs that Parker had played as a teenager so “Scrapple” must have meant a lot to him. By Fitzgerald, Mark. | Audio samples are below the video player. This also means that the Scrapple bridge will be in a different key than the Rhythm bridge. Finally, as far as the melody itself, there are some subtle differences among the different printed editions of Scrapple. Notice what happens when you sub in the tritone for the second and fourth chord – A7 – Ab7 – G7 – F#7; suddenly we have a nice chromatic downward movement. Jim SAkofsky. As such, off-topic, off-color, unduly negative, and patently promotional comments will be removed. Permission & contact Album Title. This section shows the jazz standards written by the same writing team. I moved my merch to this site. Wardell Gray, an incomparable tenor saxophonist who performed with Parker on several occasions, was part of an excellent jam group recorded live in 1950. I know others prefer to think of moving around the cycle by moving down a fifth. A 1951 live recording from the Lighthouse in Hermosa Beach, California, captures West Coast jazzers Shorty Rogers (trumpet) and Art Pepper (alto sax) in an informal setting, atypical compared to their commercially recorded efforts. Now that you have checked out essential bebop techniques, you learn a solo over the Charlie Parker tune Scrapple from the Apple. information, Home | Normally I would say that the definitive version of the tune is the one recorded by the composer, but Bird himself recorded it about a half-dozen times and there are subtle differences within his own renditions. Since 2000 it has been recorded by pianist Keith Jarrett’s trio, harmonica player Hendrik Meurkens, guitarist John Pizzarelli with clarinetist Buddy Defranco, and by bassoonist Daniel Smith in his 2007 release. This is one of the most popular bebop tunes to … It is a 32 bar form that is AABA. 00:58-02:59. Transcription PDF. By posting, you give JazzStandards.com permission to republish or otherwise distribute your comments in any format or other medium. So in this case the tonic is F so the first chord of the bridge is A7. Articles You could obviously sub the first and third chord for a similar effect. Search About. Sonny Rollins: "Oleo" on Bag's Groove. Bird took the A section of these changes and made a “contrafact” out of it, or a new melody over the changes to a jazz standard. Scrapple From the Apple Solo. Notice how that creates a Dominant to minor relationship. On his 2000 release Serve You, Ma’am? Read preview. This supposedly was such a common bridge structure that the musicians of the day would refer to it as the “Sears and Roebuck bridge”. It is considered one of the classic tunes in the BeBop repertoire. Gerry Mulligan “Scrapple from the Apple” Contents. Your comments are welcome, including why you like See his article for […], © 2020 All Things Trumpet. All Rights Reserved I didn’t see the need to maintain two sites any longer. The group jells magnificently and turns in an exceptional performance. 1957-10-12. Charlie Parker “Scrapple from the Apple”¶ Discographic Information¶ Instrument. 121.5 s. Position in Track. Like many BeBop compositions, the chord structure is “borrowed” from other standard compositions. Gerry Mulligan meets the Saxophonists. | It is common for ii V7’s to be added to the … "Scrapple From the Apple" Charlie Parker Quintet, 1947 Ken Burns Jazz III:12 Audio Form diagram "Scrapple From the Apple" is as close as possible to Parker's late 1940s quintet. Line Up. bs. Start by learning one phrase at a time (2-4 bars). The song borrows its chord progression from " Honeysuckle Rose ", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes. 1947-11-04. Songs | Overview Permission & contact information. New York City's hot tabloid war has always inspired fearless reporting and writing. The song has been performed through the years by many prominent jazz musicians such as pianist Bill Evans, saxophonists Gerry Mulligan, Art Pepper, and Stan Getz, guitarist Jim Hall, organist Jimmy Smith, and trumpeter Blue Mitchell. �Scrapple from the Apple� is a melody in F major in which the A section is based on the chord progression of Fats Waller �s � Honeysuckle Rose,� while the B section is constructed on the progression of George Gershwin �s …

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